“Expanding the Script: Ace Stories, Structures, and Perspectives in Publishing,” a roundtable co-organized with Michelle Jing Chan, featuring Maia Kobabe, Marina Martinez, and Leanne Schwartz. Bookish Brews, Summer 2025.
Co-Authored with Andrea Acosta, “A Full Account: Queer Structures and Narrative Democratization in Modao Zushi,” Catching Chén Qíng Lìng ed. Cathy Yue Wang and Maria Alberto (Peter Lang Publishing, Cultural Media Studies series), 2024.
“翻译: R.F. Kuang’s Babel, Jonathan Swift, and Sideways Reading,” Digital Defoe, ed. Stephanie Hershinow and Christopher Loar, Summer 2024.
Co-Authored with Dr. Leigh-Michil George, “‘A Hundred Different Ways of Being in Love’: Emma, Queer Austen, and Asexuality Studies,” Eighteenth Century Fiction, “Refusing Eighteenth Century Fictions” co-edited by Gena Zuroski and Manu Chander, special issue 2024.
“What Feels Urgent: A Conversation about Academia and Fiction Writing,” Conversation with Claire Stanford on Bookish Brews, 2023.
“Decolonizing Story Structure and Literary Form with Lilly Lu,” Interview with Amanda of Bookish Brews, 2022. Mentioned in Pages Unbound’s “10 Interesting Bookish Posts You May Have Missed in May 2022”
“A Full Account: Chen Qing Ling, Wen Ning, and Subversions of Narrative Hierarchies,” In Medias Res: A MediaCommons Project, 2021.
“Assuming Innocence: The Ingénue’s Satire in Frances Burney’s Evelina,“ Eighteenth-Century Fiction, 2020.
“Ingénue Reading Ingénue,” University of Toronto Press Journals Blog, 2020.
“Cartographies of Myself,” Whiter: Asian American Women on Skin Color and Colorism ed. Professor Nikki Khanna. NYU Press, 2020.
“Indelible in the Hippocampus”: Hannah Gadsby’s Nanette and the Tradition of Women’s Satire, The Rambling, 2018.
Lilly Lu 